Mutes give you the opportunity to reduce the volume of your string instrument.
On this page, we want to point out the differences and the possible applications of the various models.
Generally, a distinction is made between mutes for playing and mutes for practice
Mutes for playing are mounted on the instrument, if needed by what you play - but the reduction of the volume is limited.
Mutes for practice reduce the volume more and are mounted, if your room conditions demand it (appartment, hotel room etc.).
The damping factor of mutes for playing is perceived subjectively. Also the handling is dependent on the preferences of the player.
Mutes for playing:
Model ebony mute
The ebony mute is simply placed over the bridge, as shown to you on the image right.
The ebony mute will be unmounted from the bridge, if not needed anymore and must be put aside.
Tourte mute shaped one hole - Handling and application
Video tutorial for mounting and usage of the Tourte mute shaped one hole
Mounted Tourte mute shaped one hole, inactive
Model Roth-Sihon
A small slide on mute, which rests on the second and third string behind the bridge and which will be moved over the bridge for muting.
The mute can remain mounted when not in use and can simply be pushed towards the bridge
